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Suleymaniye Kulliya

Suleymaniye KulliyaIstanbul has 7 hills that have been culturally and historically important to the city for centuries. As contemporary Istanbul has grown to encompass dozens of square kilometers that extend far past its historical borders. it is believed that these seven hills are equally distributed geographically. Yet, these 7 hills of Istanbul, which have lent themselves to Istanbul's nickname as "the city of seven hills,' are all located in the historic peninsula.

Hagia Sophia is situated on one of these hills, which is called the 1st hill due to its location overlooking both the Bosphorus and the Golden Hom. On the 3rd hill stands Suleymaniye Mosque, a splendid architectural monument that perfectly reflects its builder, Sultan Suleyman the Magnificent, "the Lawgiver.' Sultan Suleyman, who came to power in 1520 and ruled the empire until his death in 1566, is not just the Ottoman sultan whose reign lasted the longest; he is also responsible for extending the empire to its farthest borders to become a great power and a world empire.
 

Suleymaniye KulliyaSultan Süleyman wanted a monument as glamorous as the Hagia Sofia built by Byzantine Emperor Justinian I. Thus, the Suleymaniye Kulliya (complex) was born in the hands of the great master Architect Sinan. Sinan started to build this mosque, which was later referred by him as a product of his journeyman stage, in 1550 and he completed it in 7 years, which was quite quiek for those times. The architectural plan of Suleymaniye Mosque is similar to that of Hagia Sophia.

However, the width of the dome, which is a significant indicator of its magnificence, could not reach the dimensions of Hagia Sophia's dome. Sinan built a domethe same size of Hagia Sophia's for the Selimiye Mosque, which he regarded as a product of his master stage.

Suleymaniye Mosque's dome is 53 m in height and 26.5 m in diameter and was placed on 4 great pillars, as was the case for other big Ottoman mosques. All the details of Suleymaniye Mosque were thought out in the thoroughness and detail of an artistic production. Its ebony doors, specially handcrafted glasses that filter the light of the changing seasons, and ceramic masterpieces of the artisans of Iznik, which would later be the center of Ottoman ceramic art, still adorn the building. Suleymaniye Mosque is a complex of buildings with the mosque in the center, as is typically the ease in other Ottoman kulliyas.

 

 
The complex, largest in Istanbul, consists of four madrasas, a medical madrasa, a hospital, a primary school, a caravanserai, shops, a hammam, a tomb, and other buildings. Its soup kitchen fed over one thousand poor people from the three main religions every day for centuries.

In 1990, this soup kitchen was turned into a restaurant serving the most authentic dishes of the Ottoman palace's cuisine. The tombs of Sultan Süleyman, his wife Hürrem Sultan, who was a good example of how powerful a woman could be in the Ottoman state tradition, their daughter Mihrimah Sultan, and of severalother sultans are situated in the Suleymaniye Kulliya.
 

Suleymaniye Library

The Suleymaniye Kulliya served the palace like an Ottoman university. Thousands of young people were educated in the madrasas of this kulliya. Many manuscripts were collected here and what remains today from the madrasas was turned into a library. This library was declared by UNESCO a worldcultural heritage since it has one of the most romprehensive book collections in the world with over 70,000 manuscripts and 110,000 books.
 

Suleymaniye Outside

 

Cevahir Minaret

The construction process of the Suleymaniye Kulliya was halted temporarily in order to wait for the base to settle. The Iranian Shah made an incorrect assumption regarding the reason for this pause and sent jewelers to Süleyman the Lawgiver to "contribute to the construction process of the mosque. "

Sultan Süleyman reacted harshly to the Shah 's diplomatic tactlessness by asking his men to squeeze the precious stones sent by the Shah and to mix them with chippings used in the construction of the mosque. Sinan put these jewels into the mortar of a minaret. Later, this minaret was called "the Cevahir Minaresi" (Jewelry Minaret in Turkish) due to the diamonds of the minaret that shone with the sunlight of the Golden Horn.
 
 
 
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